Before economic-development agencies existed in America, some journalists amassed reams of data and published thousands of pages to promote their home cities.
In 1945, Portland made a short film celebrating the low-rise, landscaped Columbia Villa, a public-housing project for white Portlanders.
William Gilpin’s big idea in the late 1800s would have made Denver the crossroads of the world—the place where “the zodiac of nations closes its circle.”
If Robert McCloskey’s Make Way For Ducklings anticipated Jane Jacobs, Virginia Lee Burton’s The Little House lined up firmly with Lewis Mumford.
The film’s impact comes from its skillful blend of two other distinct images of Los Angeles—as noir jungle and harbinger of the future.